With her fringed black bangs, chignon and oversized owl glasses, Edith Head was certainly the last person you would expect to see in the fashion world. Yet in her 57 years as a costume designer, she proved to be one of the most influential women in American fashion history. Her career garnered her 8 Oscars and 35 nominations, more than any other woman. Even if you've only seen a few movies from Hollywood's Golden Age, the chances are good you were drooling over her designs.

Edith was somewhat conservative in her designs compared to contemporaries like Adrian. She understood film production well and often clashed with directors who disliked her restrained styles. To her credit, her clothes never stole a scene but rather blended perfectly into the big picture. Alfred Hitchcock loved having her on set because she avoided those fads that would instantly date a movie. Always in tune with production, her trademark sunglasses were originally framed blue glass lenses that enabled her to see how clothing would look in black and white. When color became the norm, the blue lenses were replaced with a regular tint.
Edith's eyewear and hairstyle would be her signature look until her death in 1981. The look was just as low key as her personality. Though she knew all the secrets, she never gossiped nor did she ever reveal a measurement. She claimed, "I accentuated the positive and camouflaged the rest". Actresses loved being dressed by Edith because she worked closely with them and was often loaned out to other studios at their request.
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Mae West She Done Him Wrong 1933 |
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Grace Kelly Rear Window 1954 |
Later in her career, she was criticized for taking credit for others' work on the Sting and Sabrina (1954). Givenchy had designed Audrey Hepburn's gowns in Sabrina but Edith refused to allow his name in the film credits. She claimed she took his designs into consideration and created her own versions. The Academy decided it was Edith who produced the finished costumes for the film. She did however thank him in her acceptance speech. Actress Debi Mazar put it best; "When Givenchy looked at Audrey Hepburn, he saw Audrey Hepburn. When Edith Head looked at Audrey Hepburn, she saw Holly Golightly." While Audrey would choose Givenchy to design her future costumes, Debi makes a great point. When Edith dressed you, she considered the woman and the role which is exactly why she excelled at her job.
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While Givenchy designed for Sabrina, Edith takes the credit for this beauty worn by Hepburn in Roman Holiday. |


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